The 5000 years old Indian culture has given successive generations a wonderful mindset tuned in amalgamation of tradition and modernity, and value system, which has been retained with excellent continuity despite the passage of time, repeated foreign invasions, and the enormous growth in population. It gives them a unique personality today, as it has done in the past. In fact, these constitute enduring imprints on Indian consciousness. The 20th century is significant in many fields and art of course is an area to be mentioned. As culture has a curious way of belonging to its times, and yet of being removed from it. Culture has its own agenda and has habitually risen above the conditions prevailing on the ground in every period of human history. “The songs, dance-forms, literary activities and works of art produced in the 20th century have found new expressions and have gone to prove that this century has not only been the greatest in human history but has also been a period of new discoveries and radical renewals. While all the art forms have exhibited significant achievements, several entirely new ones have been invented and popularised such as cinema, pop music, and television documentary (Singh B. P. 2003:35).” Mithila painting, also known as Madhubani painting, is in its originality an art form practiced by the women of all castes and communities of the region. The women of this country from time immemorial have been involving themselves in the various forms of creativity. The best one can find in their creativity is the relationship between nature, culture and human psyche. Also they use only those raw materials, which are available easily in abundance in the locality they are surrounded with. Through folk paintings and other forms of art they express their desire, dream, expectation and amuse themselves. It is a parallel literacy by which they communicate their aesthetic expression. Their art of creativity itself can be treated as a style of writing by which their emotions, expectations, freedom of thoughts, in the maryada, etc. Their background, gender, aspirations, hope, aesthetic sensibility, cultural knowledge, etc., find expression in all possible forms of their art. What one needs is to know the level of their enculturation and mode of learning before talking or writing about their art. Putting women in the center, this article is written on the Mithila painting, folk creators and the state of painting, in the same spirit.
No region of this great country is untouched with the creativity of the women. We see the example of phulkari in Punjab, warli in Gujarat, chikan embroidery in Lucknow, weaving in the North-east, kantha in Bengal, miniature paintings in the state of Rajasthan, kethari, sujani and of course mithila paintings in the Mithila region of Bihar.
The Mithila painting is one of the living creative activities of the women of this region. It is a famous folk painting on paper, cloth, readymade garments, movable objects etc., mainly by the village women of Mithila. Originally it is a folk art, practiced by the women of all castes and communities, including the Muslims, on walls and floors using the natural and vegetable colours. Later some people took interest in it and motivated the women to translate their art from walls and floors to the canvas and now the new form has given this a very distinct identity in the art world as well as in the market. This folk art has a history, a cultural background, women’s monopoly and distinct regional identification. Where is Mithila? What is the cultural and historical significance of this land? Why is it that this art is that special in Mithila? These are the few questions that deserve an answer before anything can be written about this art form.
Far away from Indian big cities and the modern world lies a beautiful region once known as Mithila. It was one of the first kingdoms to be established in eastern India. The region is a vast plain stretching north towards Nepal, south towards the Ganges and west towards Bengal. The present districts of Champaran, Saharsa, Muzaffarpur, Vaishali, Darbhanga, Madhubani, Supaul, Samastipur etc., and parts of Munger, Begusarai, Bhagalpur and Purnea of Bihar cover Mithila.It is completely flat and free from rock or stone. Its soil is the alluvial slit deposited by the river Ganges, a rich, smooth clay dotted with thousands of pools replenished by the monsoon, the only reservoirs until the next monsoon. If the monsoon is late or scanty, the harvest is in jeopardy. But if the rain god is kind, the whole plain bursts into green from October to February, dotted with man-made ponds where beasts and peasants bath beneath ancient vatvrikshas. Madhubani is the heartland where the paintings are more profuse than elsewhere. “The region’s rich vegetation so impressed ancient visitors that they called it Madhubani, ‘Forest of Honey’ (Vequaud, Yves 1977:9)”, the name of the most acknowledged district for this painting. In this mythical region, Rama, the handsome prince of Ayodhya and incarnation of the Vishnu, married princess Sita, born of a furrow her father King Janaka had tilled. Mithila is that sacred land where the founders of Buddhism and Jainism; the scholars of all six orthodox branches of Sanskrit learning such as Yajnavalkya, Bridha Vachaspati, Ayachi Mishra, Shankar Mishra, Gautam, Kapil, Sachal Mishra, Kumaril Bhatt and Mandan Mishra were born. Vidyapati, a Vaisnav poet of 14th century was born in Mithila who immortalized a new form of love songs explaining the relationship between Radha and Krishna in the region through his padavalis and therefore the people rightly remember him as the reincarnation of Jaideva (abhinavajaideva). Karnpure, a classical Sanskrit poet of Bengal, in his famous devotional epic, the Parijataharanamahakavya gives an interesting account confirming the scholarship of the people of Mithila. Krishna tells his beloved Satyabhama, while flying over this land on way to Dwarka from Amravati, “O lotus-eyed one behold! Yonder this is Mithila, the birthplace of Sita. Here in every house Saraswati dances with pride on the tip of the tongue of the learned (Mishra, Kailash Kumar 2000)” Mithila is a wonderful land where art and scholarship, laukika and Vedic traditions flourished together in complete harmony between the two. There was no binary opposition.
Janakpur city is the birth place of Goddess Sita, and is the home of the unique Mithila culture in Nepal
Janakpur city, the Headquarter of Dhanusha district of Nepal, is about 84 miles (135 km) from Kathmandu. This is a popular city in the terai region. (Terai = lower part of Nepal having Flat-Land). Janakpur is also known as Janakpurdham (Dham in Nepali means a scared region) It has a temple named Janaki, which is dedicated to the Hindu Goddess Sita. This region also offers an excellent opportunity for visitors to learn about Mithila culture, and people from in and around this peaceful region of Nepal. Hindu pilgrims from India and Nepal visit this region to pay their respect to the Goddess, while many foreigners make a side-trip to the region to learn about the unique Janakpur-life!
Places to visit in Janakpur
JanakiTemple
Janakpur has the JanakiTemple (Mandir in Nepali) which is dedicated to Goddess Sita, and also has a Ram and Sita Marriage Mandhir (or also known as Ram and Sita Bibaha Mandhir in Nepali) which is said to have been built in the spot where they got married. Marriage anniversary of Ram and Sita is observed every year here through a festival which is also observed throughout Nepal.
In the Janakpur region, one of such festival is the enactment of the wedding ceremony, decorating temples and monuments, burning of oil-lamps surrounding the temple and other historical sites in the region. Throughout the festival there are dramas in theaters and in open streets re-making the marriage ceremony of Ram and Sita. According to Hindu, Ram and Sita took birth to free the earth from the cruelty and sins of the demon King Ravana (Ravan). To learn more about the Hindu Goddess, see web link at the end of this page.
Rama Mandir
Visit the Rama Mandhir, a pagoda-style temple built in 1882, which is located south-east of the Janaki Mandhir. On the Rama Nawami or also written as Ram Navami festival (the celebration of Lord Ram's Birthday), this temple gets thousands of visitors. Ram Nawami is also called as Chaitay Dashain, and it falls on Chaitra 13 2063 (Nepali Calendar) or April 27 2007 (English Calendar)
Mithila Culture of Janakpur
Mithila culture is found in the Terai region of Nepal such as the Janakpur region and also found all the way upto the Northern Bihar state of India. Legend has it that Janakpur was the capital of Mithila, and the palace of King Janak, Goddess Sita's father. Often Sita is known by many names such as Janaki or Mythili. Mithila culture is rich with its own language known as Maithili, and with its own traditions, customs, arts and music. Many Mithila arts and paintings have historical and religious meanings, such arts are produced by many villagers specifically women's draw paintings having colorful and thought provoking objects such as animals, Gods and Goddess which are painted on the walls of homes using simple colors such as clays and mud
About Ramayan
One of the greatest epics of all time is Ramayan, which is a Hindu story of God Ram and his wife Goddess Sita, their marriage, their struggle, sacrifice, and many facets of life. Ram marries Sita, then has to live for years in isolation from her before returning back to his royal palace. Sita is captured by Demon named Rawan. In the end, Sita disappears under the ground, and she is regarded as the Goddess of the Earth. Sita, the incarnation of the Hindu Goddess Lakshmi, is regarded as the perfect daughter, wife, and mother, and the most beloved diety in Hindu countries like Nepal and India.
Festivals in Janakpur
Jhula and Bol Bum are two important festivals which are celebrated with great pride and enjoyment along with other Nepali festivals such as Dashain and Tihar. During Jhula and Bol Dum, the Janaki temple is packed with people. One other important festival is Chhath celebrated by Maithalis in Janakpur. It is a four days festival. A group of men and women dip in Ganga Sagar, a popular lake in the area, then worship the rising and setting of the sun for four days to receive blessings for peace and prosperity.
Vibhaha Panchami, which falls between November to December, is a popular festival of Janakpur. The occasion commemorates the marriage of Sita to Ram, one of the most celebrated Hindu divinities. Janaki temple is the center of the attraction to commemorate this day and to celebrate the marriage anniversary of Ram and Sita. Thousands of pilgrims from India, Nepal and India pour into the region during this festival season.
Ram Nawami, the celebration of Ram's birthday attracts visitors to the Ram Mandhir and many Hindu pilgrims visit this temple on that day. This Year, Ram Nawami is on April 27 2007
Hotels in Janakpur
We are working on to provide you with this information. For now please try www.hotelassociation.org.np
How to get to Janakpur?
Janakpur is about ten hours by bus from Kathmandu for around $5, about 30 minutes by plane for around $80. You can also reach Janakpur from other cities like Birgunj and Biratnagar.
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